Showing posts with label MUSIC HISTORY. Show all posts
Showing posts with label MUSIC HISTORY. Show all posts

12.30.2018

FORTUNE RECORDS: DETROIT'S LEGACY OF SOUL


Fortune Records 3942 Third Ave Detroit Michigan



Ron Murphy is Detroit’s premier music authority and has worked in the music industry in Michigan for over 40 years. Ron’s story first appeared in a Michigan music magazine called R.P.M. in September of 1983.


The first songs cut in the new (11629 Linwood) Fortune Studio were recorded on a Magnacord tape machine. In 1953, they purchased an Ampex model 350 which was used to record all of the Fortune masters, until the early sixties.



Fortune Records used simple basic recording techniques and just a few mikes that let the quality of the voices, and musicians playing shine through without any gimmicks.




The first time I visited Fortune Records was February 1960 and I was going to be a singer, so my best friend and I skipped school to go make a demo record. When we got down to the Fortune studio on Third Street and walked in, a man wearing a hat and an overcoat came out said “Hi boys, are you lost or what?”

Then he laughed and I explained that I had called last week about making a demo, then I asked again about the price just to be sure and he said “that’s right, I’ll give you couple of takes on a tape and then cut the dub for $7.50 – so are you ready? I said yes and gave him the money and we went to the studio in the back.

3942 Third Ave in 2001 just before demolition

I recorded one song and went into the control booth to listen back. While listening the man said, “Well how do you like it?” I told him it sounded pretty good. He replied “What do you mean pretty good? I’m giving you my best sound!”


The Fortune Records story started almost 40 years ago. Devora came to Detroit from Cleveland, Ohio and was introduced to Jack Brown through a blind date set up by a friend. Devora was already writing poems and songs, even though Jack was working as an accountant at the time, he liked her songs and encouraged her to send them to a few music publishers.


Devora Brown: songwriter, pianist, record store owner, producer, engineer, song publisher and co-principal of Detroit-based Fortune Records...Jack Brown: co-principal of Fortune Records with their daughter, Janice

By this time Devora married Jack Brown, and in 1947 after little response from other publishers, they decided to start a publishing company and record the songs themselves.


Jack and Devora Brown set up the publishing company with Devora’s brother helping out. In 1956 the Browns purchased the building at 3942 Third Street and moved into what was to become Fortune’s permanent home.

When Motown Records started to become successful around 1962, I remember asking Devora how come they let Motown get ahead of them. She replied “We had all those people down here but they sure didn’t play that way for us.”

Unlike most record companies of the 50’s, Fortune Records had a sound all of it’s own. You knew it was a Fortune Record without looking at the label. Just like Motown in the 60’s.

Other than the J-V-B record label started by Joe Von Battle in 1945 (which folded in 1968), Fortune has now become the oldest steady record producer from Detroit, Michigan. Out of all the record companies started in Detroit, including Motown who left, Fortune Records outlasted them all.

Ron Murphy

September 1983

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3.22.2018

TEMPTATIONS MY GIRL ADDED TO LIBRARY OF CONGRESS!


On Wednesday, 25 titles, including the iconic “Sound of Music” soundtrack and The Temptations’ “My Girl,” were added to the registry, which is now 500 strong, as Andrew R. Chow reports for The New York Times.

In a press release, Librarian of Congress Carla Hayden calls the newest additions worthy of preservation. “This annual celebration of recorded sound reminds us of our varied and remarkable American experience,” Hayden says. “The unique trinity of historic, cultural and aesthetic significance reflected in the National Recording Registry each year is an opportunity for reflection on landmark moments, diverse cultures and shared memories—all reflected in our recorded soundscape.”



According to the Library of Congress, recordings must be at least 10 years old to be eligible for consideration into the registry. The titles are selected by the Librarian of Congress herself with advice from the Library’s National Recording Preservation Board (NRPB). Nominations are gathered from the public through online submissions.

The class of 2017 spans 85 years of history—between 1911 and 1996— and includes live radio broadcasts, hip hop and rock n’ roll. The new additions make up just a small part of the library’s expansive collection, which spans nearly 3 million recordings to date.

If your favorite song didn’t make the list this time, now’s your chance to vote for the 2018 selections. The Library is currently accepting nominations for the next crop of contestants on its website.
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