Showing posts with label RECORDING. Show all posts
Showing posts with label RECORDING. Show all posts

12.23.2016

THE BIGGEST MYTHS MUSICIANS ARE TOLD


The Biggest Myths musicians are told?

Oscar Wilde once said ‘man is not himself when he is his own person. Give him a mask, and he’ll tell you the truth’, though this particular theory doesn’t seem to always apply to musicians; the idea of the stage persona is familiar to most music fans. But in music, past and present, the music industry has gifted us with a number of characters that contain certain myths in addition to being told myth themselves. This piece will investigate the certain myths that these musicians are told throughout their career:

Like any myth, whether it be in gambling, sports or indeed the music industry, we never know if they are deemed true, hence it being a myth, yet some are more realistic than others and let’s have a look at these certain myths:

Getting a record deal means you will be instantly successful within the music industry

When you see artists/bands getting their record deals, you automatically think that they’re going to make it big in the music scene; at the end of the day, they have been signed and now have a massive record deal. However, did you know that 98% of all acts that sign to major labels indeed fail, so simplifying this a whole lot more, this means that 98 out of the 100 artists who actually get the deal don’t actually recoup enough money to pay for their advances and end up getting dropped before their second album; sometimes their first!

Windowing is an effective strategy 
 
You must be thinking, what the heck does ‘windowing’ mean? Well in the music industry, windowing means holding off putting your album on streaming services for a window of time to maximise sales. It was known to be a rather effective strategy in 2012. But that was then, were now in 2017 and most things are digital now days and if people can’t get your music on iTunes or YouTube they will just move on.

Streaming is bad for music

This leads onto my next section. A CD or Download sale is treated equally no matter how great the album is. It’s a one-time payment to never be earned again. Now the problem with streaming, if a song is great and will played over and OVER again leads to earning more than just a single sale ever could, streaming pays less initially, but much more in the long run, only if the music is good and addictive of course.

Major record labels are leading the music industry 


Okay so there’s load money to be made working with major record labels, but leaders they are not, their album creation and marketing strategies are paint by number compared to the old school music industry. Look at Chance the rapper for example, unsigned, yet making a massive name for himself across the globe.

The problem with record labels, once you have signed to them, 80% of you work becomes their property, you lose most of the rights to your creation which can seem rather daunting for artists and this is why Chance right now refuses to sign any deals.       

10.09.2015

UNITED SOUND CELEBRATION OCTOBER 23!


Detroit’s United Sound Systems is famous around the world for being the original recording studio in Detroit where the recordings of artists such as: John Lee Hooker, Jackie Wilson, Berry Gordy, Aretha Franklin, The Rolling Stones, Bob Seger, Parliament Funkadelic, MC5,The Dramatics and tons of others.

USS played an instrumental part in the birth of Motown as Berry Gordy recorded there before he formed Motown Records.. and the rise of Detroit Music on the gloval stage.

October 7, 2015 (Detroit, MI) – The recent historic designation of Detroit’s United Sound Systems Recording Studio – the nation’s oldest, still operating, independent recording studio – rings in a revitalized era for music production in the city.


In 2014, the Detroit Sound Conservancy (DSC), a Detroit-based nonprofit whose mission is to increase support of Detroit’s rich musical heritage through advocacy, preservation, and education, joined forces with United Sound Systems Recording Studio.

With DSC’s advocacy, the studio – which was established in the 1930s and whose storied recording history was officially designated a historic structure. This is important during a time of amplified redevelopment in the city, as it provides protection against major exterior changes to the property, and of course, demolition.

“United Sound Systems is one of Detroit’s hidden historic properties that has had a significant impact on Detroit’s music status,” says DSC’s Rebecca Binno Savage. “City of Detroit designation as a historic district brings United Sound Systems the recognition and protection it has earned.”


To commemorate the milestone and burgeoning partnership between the studio and the DSC, there will a fundraiser/celebration: 5-8 p.m. on Friday, October 23 at United Sound Systems (5840 Second St., Detroit, MI 48202; 313-833-1833). Monies raised at this event will help pay for a historical marker.

The evening will include food from Mimi’s Bistro, beer from Motor City Brewing Works, music curated by Pirahnahead, and a rare chance for a private tour of the building.

“I’m excited to finally see things moving forward. This historic designation is confirmation that the hard work and dedication that everyone has provided these past years did not go unnoticed. I just want to thank everyone that contributed to bringing this dream to fruition, especially the Detroit Sound Conservancy,” says United Sound Systems’ owner, Danielle Scott.

2.02.2011

BEHIND THE LEGENDARY RECORDING STUDIO UNITED SOUND....JOHN NEFF


This beautiful United Sound building, on Second Avenue at Antoinette, became Detroit's first major recording studio in 1933. Number 5840 had been a residence prior to it's procurement by Jimmy Siracuse and Bernie Besman.



My friend John Neff from Northern California answered a question for me the other day so perfectly that I just had to share it with my readers. Every knows the vast history of Berry Gordy's Motown Recording at Hitsville. Yet there is another legendary Recording studio called United Sound which began it's long history way before Gordy and in fact Gordy got his start at United. So I hope you enjoy a sneak peek inside United Sound with John.... Thanks JN!! xxooK


MC5

Over the year's it has seen tons famous artists pass through it's doors, including John Lee Hooker, Jackie Wilson, Aretha Franklin and The Mighty MC5.

From John Neff:


United Sound Systems was on 2nd Ave. near Cass, near Wayne State University, in Detroit. I was the 'Blue Eyed Soul Brother' in 'The Company', the house rhythm section, that played on everybody's records.


Don Davis had been the lead Producer at Motown, in the Golden Era, and eventually learned that he was never going to see a dime from Berry Gordy. So he quit, got backing, and bought the biggest studio in Detroit. He duplicated the Funk Brothers with a section that played on all the house-produced records.

In the Fall of 1970, I became the staff guitarist. I had been working with Alan Ryles, a drummer from Pontiac who became the staff drummer, and he told them about me. I got invited to a session, and played on some record whose title I can't remember, alongside the session guitarist of the time.


Don told the engineer to use my track and invited me back the next day. The other guitarist threw a fit, but I never saw him again. I had had a white boy blues band in Detroit called The Electric Blues Band, and we got signed to Elektra after the 1969 Ann Arbor Blues Festival, at which we played, alongside the MC5 and Junior Wells and Buddy Guy.


One of the MC5 Hill St Houses

Jac Holzman from Elektra was there to see the MC5 and signed us, as we were friends of them and stayed at the Hill Street House a lot.

Brother Wayne (Kramer) was very instrumental (so to speak) in this. So until early 1974, I played guitar and synth (very early-very crude) on hundreds on soul records produced at United Sound.


Detroit, of course, has a storied history of magic happening. From John Lee Hooker’s after-hours recordings at United Sound in the ’50s and the sounds pumping out of the factory that was Hitsville USA in the ’60s to the racket rising from basements, backrooms and converted spaces in the ’80s and ’90s where producers, soundmen and engineers cut their chops making records for would-be next generation stars. Laying Down Sound in Detroit

Legendary Detroit Studio is Resurrected
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