Showing posts with label THE HITMEN. Show all posts
Showing posts with label THE HITMEN. Show all posts

10.31.2018

CHRIS KLONDIKE MASUAK: VIVEIRO ROCKS!


Today's guest post is from Chris Klondike Masuak Canadian-born Australian rock musician, guitarist, songwriter and record producer.

I pick Pony Boy up from the bus stop after school most days.

If it’s sunny I wait sitting on a brick wall swinging my legs and looking out over a 12th-century convent to the low green coastal mountains, disappearing into soft haze.

The bus swings around the corner pretty much right on the button and Pony Boy bursts out, talking a mile a minute about how he didn’t do anything at school.


We’ll stop at a bar on the way home. Spanish bars aren’t the frosted glassed sleazy dives we used to stand in fear and wonder outside of as kids in northern Canada. He’ll continue his monologue over hot chocolate and churros, stopping occasionally to talk to one of the patrons in whatever language suits them, which in this joint usually means “Deep Galego”.

Most of the old folks in town know Pony Boy. On those sunny days they’ll all be out sitting along the walkway beside the bay in the precious sunshine. He’ll stop and say hello to them, making sure that the ones who don’t see so well know it’s him. He shakes their hands or gives high fives. They’ll talk for a while about this and that while I stand back and watch.

If we don’t notice them when we walk past, they’ll wave and yell “Hola!”. He waves back and yells, telling them where we’re going.

We seem to have become a fixture. If I’m out on the street by myself, people I don’t even know will ask “You’re by yourself today? Where’s your boy?”

As we walk along he keeps up a running monologue, mostly about the various ways you can defeat zombies or the mechanical attributes of the robots he likes to build.


We’ll usually end up walking along beside the water to the music school and we’ll stand outside for a while, playing by the antique cannons and listening to the students clamouring away.

Violin concertos, bagpipes, rock bands...it’s the luck of the draw on any given day.

Some days we’ll walk further along the waterfront to the sports centre.

In July you can forget about swimming for a few weeks. Viveiro is home to Resurrection Fest, one of Europe’s biggest metal/thrash festivals. When that’s on, it’s impossible to get to the pool. It’s annoying.

A couple of years ago Motorhead did their final concert there. Last year Iron Maiden played. This year it was KISS and Scorpion.


We can hear it all from my place at the far end of the bay..

During the festival our medieval fishing village is choked with people. At first the locals were worried about all those strange kids with tattoos, piercings, dressed in black.

These days, they don’t even bother calling in any extra police. The 60,000 concert goers cause less trouble and are infinitely more polite than any couple of drunken Brits!

In August there’s a giant festival stage set up in the town plaza. Every night music drifts out across the water and echoes against the hills.

The bars are overflowing and while you listen to the concerts you can fill up on the free tapas!

The other night I was making my way back home after playing a Rock 4 West Papua benefit. It was 4 AM and the streets were still buzzing with activity. Some kids recognised me and yelled “Hey, Masuak!”

Without even trying, Viveiro Rocks!

7.20.2018

LEGENDARY SESSION SUPER GROUP THE HITMEN RESUME TOUR IN AUGUST



NEW YORK (July 20, 2018) ― As Yussuf Islam, aka Cat Stevens turns 70 this weekend (July 21), Jimmy Ryan of THE HIT MEN, who played guitar on 1974’s multi-platinum Buddha and the Chocolate Box album, recalls how Stevens’ voice back then had a “transformational” ability in the recording studio to turn a track into “instant magic.”

A primary example of Stevens’ wondrous studio flow, Ryan explains, was during the session for the song “Sun-C79”. Ryan wanted to write out a rough chart of the song’s multiple chord and mood changes.

Stevens had other ideas.

“He wouldn’t have it,” recounts Ryan now lead guitarist of THE HIT MEN, the popular “real deal” musicians who’ve separately delivered dozens of hits to the classic rock superstars of the ‘60s, ‘70s, ‘80s, and ‘90s. “He kept saying ‘just follow along,’ as he loosely wandered from half singing/speaking it, sometimes with a guitar, often while holding a guitar and not playing. His approach was for us to ‘get’ the song emotionally first, then work out the details later. “

Jimmy Ryan of The Hit Men, left, and Cat Stevens

‘Real Deal’ Musicians to the Classic Rock Superstars 
Resume ‘Don’t Stop’ Tour in August

After quite a few rounds of this, recording began and a coherent track eventually emerged. Not amazing, by Ryan’s standards, but OK. Ryan discretely whispered that opinion to Jean Roussel, the keyboardist, who knowingly smiled back and said to just “wait for it.” Stevens then stepped up to the mike, the track started rolling, the engineer pressed “record,” and …

“… I was a witness to instant magic,” says Ryan. “His voice brought the song up to a whole new and unexpected level, creating that amazing sound and sung story telling he is so famous for. I’ve never seen a track transformed so quickly and thoroughly by anybody since! For me, that summed up the artistic genius that is Cat Stevens…and the Billboard charts agree.”

In the ensuring months, Buddha and the Chocolate Box was Certified Platinum (over 1 million units sold), and the artist known now as Yusuf/Cat Stevens cemented his place in music history as a Rock ‘n Roll Hall of Famer!


After decades performing or recording with Paul McCartney, Elton John, Rod Stewart, Mick Jagger, The Who, Carly Simon, Cat Stevens, David Bowie, Lou Reed, Cheap Trick, The Ramones, and dozens more, THE HIT MEN have become a Supergroup unlike any other.

What the Wrecking Crew meant to the pop music revolution of the ‘60s, THE HIT MEN have meant to some of the most indelible hits of the ‘70s, ‘80s and beyond. It’s only now that the evolution of THE HIT MEN’S story – fueled, in part, by their countless first-hand experiences as eyewitnesses to rock history – has become a revelation.



From transistor radios, vinyl, 8-track tapes and cassettes to the Sony Walkman, CD's, digital downloads and the Apple iPod, THE HIT MEN ― Jimmy Ryan (lead guitar/vocals, and Carly Simon’s former musical director), Lee Shapiro (keyboards/vocals, and Frankie Valli’s1970s musical director), Jeff Ganz (bass/vocals), Russ Velazquez (vocalist/keyboardist/percussionist), and Steve Murphy (drummer/vocalist) ― have seen and heard it all. And they have the stories to go with it! The Don’t Stop U.S. Tour, having already criss-crossed the U.S. with an all-new production featuring the most recent chapters in THE HIT MEN’s “Hits-tory,” resumes in August.

THE HIT MEN recently took another major step toward stardom on their own terms, with the release of their first original music video from their first original single, “You Can’t Fight Love,” off the DON’T STOP album.



THE HIT MEN “DON’T STOP” 2018 TOUR DATES

August 9: Clayton Opera House, Clayton, NY

August 15: Cape May Convention Center, Cape May NJ

August 18: West End Cruise Night & Classic Car Show, Long Branch, NJ

September 29: Friends of the PAC, Middleton, WI

October 12: Mohegan Sun, Uncasville, CT

October 13: State Theater, Easton, PA

October 20: Vinegar Hill Music Theater, Arundel, ME

October 27: Honeywell Center, Wabash, IN

October 28: The Holland Theater, Bellefontaine, OH

November 10: GSU PAC, University Park, IL

November 15: Cox Performing Arts Center at Dixie State Univ., St. George, UT

December 2: Katherine Hepburn Theater, Old Saybrook, CT

More dates to come!
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