31 March 2010

HOWLING DIABLOS LIVE AT GUY HOLLERINS!



Guy Hollerin's
THIS SATURDAY NIGHT!
www.hiannarbor.com
3600 Plymouth Road
Ann Arbor, MI 48105-2660
(734) 769-4323






Kimmer and Tino
One of my most favorite ways to
spend a Saturday night is dancing with the Howling Diablos!


Kimmer and the BEE
Grab you buddies and head out to Ann Arbor to have a blast!

Hey Kiddo (Kimmer)
Here's a head's up on the next throwdown...
always great to have you in the house
Tino

BIG RICH: GARY GRIMSHAW BENEFIT TOMORROW!



Don Bailey:
The response has been truly amazing. People from around the world have asked how to donate money and or buy the show poster for the Gary Grimshaw Benefit on April 1, 2010. Come see us this Thursday from 6pm till 9pm. Grand Trunk Pub 612 Woodward, Detroit, MI

News from Laura Grimshaw is Gary is recovering well, talking, 'tho as always, he is a Man of few, well chosen words. AND! Gary will NOT need an additional surgery to assist his breathing. Gary will remain at VA Hospital for now. Bottom line is that Gary is holding out but expected to be in SICU for a very, very long time. When he begins to speak we will put up another update.

Laura Grimshaw: I won't miss Thursday with everyone! Love on You All! Laura

Be Gary's Facebook Fan HERE




Gary's friend Rich Dorris on Gary Grimshaw's behalf has set up this fan page. Gary started doing art in 1966 with the First Grande Ballroom Posters of the The MC5. He spent years living in San Francisco and the Bay area and currently calls Motown home.



BIG RICH'S POST ON GARY IS HERE

30 March 2010

JUNE HAVOC DIES AT 97: THE STAR IN HER MOTHER'S EYES


JUNE HAVOC November 8, 1912 — March 28, 2010
Photo by Gabi Rona – © MPTV – Image courtesy mptvimages.com



Dainty June

Just read today about June Havoc passed on at age 97. Wow! what a life she and her sister Gypsy Rose Lee experienced. Having read every book I could find on them I came away with the mother not be such a monster. She had a dream and nothing was going to stop her. If she was passed the age to perform herself she trained her girls to be stars and she was successful at that dream.

Both Gypsy (Louise Hovick) and June Havoc (Hovick) Became big stars. Gypsy as the most famous of all exotic dancers. Hard to call her a stripper as she always managed to keep a little bit covered.

June ran away and married to escape her Mother's vaudeville dream to become a stage actress, was in many films and was very popular in the Golden Age in Hollywood.


Lucille Ball Desi Arnaz and June Hovac

The mother, Rose Thompson Hovick, was a teen aged bride fresh from a convent school when she married Jack Olaf Hovick. At 19, she gave birth to the 12-pound Rose Louise on January 8, 1911, at 4314 Frontenac Street in West Seattle. Rose reported that the birth was horrific and the baby was washed outside in the snow.


Mama Rose Hovick

A second child was born in Vancouver B.C. two years later, and named June. By this time the Hovick marriage was in trouble, but it limped along a little longer. Rose’s father had not allowed Rose to go on the stage, and now, she wanted a career for her children.


June and Louise circa 1925

Rose set to work to make a performer out of Louise, but Louise had no talent at all. She couldn’t sing or dance. Her little sister June, however, could dance on point at aged two. Rose’s father arranged for a debut concert at his lodge hall, and soon Baby June was appearing regularly around Seattle, once as part of the bill on Anna Pavolva’s farewell tour, inspiring Rose to change her billing to “Baby June, the Pocket-sized Pavlova.”



Meanwhile, Rose Louise, nicknamed Plug, a chubby, ungainly child with dark hair in a shiny Dutch bob, stayed back in Seattle with her father or grandparents and went to kindergarten, sometimes visiting her mother and her sister in Hollywood. When Louise was seven, she joined them permanently. Neither girl got any further schooling.

June was now the star of the vaudeville act, “Madam Rose presents Dainty June and her Newsboy Songsters.” The newsboy songsters consisted of a revolving cast of male street urchins whose parents were glad to turn them over to someone who would feed them. They received pocket money and the promise of theatrical training.

Louise was one of the newsboy songsters, and even off stage was sometimes dressed as a boy in a knickerbockers, cloth cap, and belted leather coat so as not to eclipse June, who sported tiny fur coats, hats and muffs, garish makeup and peroxided ringlets.



“People stared at us when we walked down the street,” wrote Louise later. At its height, the act was pulling in $1,500 a week on the Orpheum circuit, and Dainty June was a powerhouse with top billing who often stopped the show.


BABY JUNE HOVICK (Hovac)

Madam Rose taught the girls to lie about their ages to truant officers and railway train conductors, steal blankets and sheets from hotels, and sneak out without paying. The girls were practiced shoplifters.



Madam Rose wasn’t above sabotaging rival acts and was masterful at conning well wishers out of money with her genteel, brave-but-helpless single mother act. June later said that after the age of five, she never believed anything her mother said. A tiny, delicate looking woman, Rose nevertheless once managed to push a hotel manager out of the window.

Vaudeville was dying. (Elsewhere, June and Bobby Reed had tried to get an act going, but eventually had to settle for the grueling marathon dance circuit.) Rose Louise and her Hollywood Blondes, now living in a tent to save money on hotels, worked their first burlesque house, The Missouri Theatre in Kansas City. The rest is history for Miss Gypsy Rose Lee.... She became a huge burlesque star




Gypsy Rose Lee

My favorite scene from the Gypsy film of 1962



After June's elopement at age 13 with a young boy from the act (Bobby Reed, who inspired the dancing character of Tulsa in "Gypsy"). They married in North Platte, Nebraska with each lying about their age. By the time the Depression hit, however, vaudeville, the nation's economy and her marriage had all collapsed.

Now a mother of a young daughter, April (born out of wedlock in 1935, April Kent acted briefly in the 1950s), June made ends meet by modeling, posing and toiling in dance marathons.

The blonde, blue-eyed stunner also found work in stock musicals and on the Borscht Belt circuit. She made her Broadway debut in the musical Forbidden Melody in 1936. Years passed before she earned her big break as Gladys in Rodgers and Hart's classic musical Pal Joey opposite Van Johnson and Gene Kelly in 1940. As a result of their scene-stealing work, the trio earned movie contracts - the two men heading off to the MGM studio and June to RKO.

Married three times, June was long estranged from her sister, none too happy with Gypsy's portrayal of her in the best-selling memoir Gypsy. The girls, noted for their trademark elongated faces and shapely gams, were estranged as children as well, but had eventually grown close for a time as adults.

The sisters didn't patch things up until Gypsy told June that she was dying of lung cancer in 1970. June elaborated more about her relationship with her sister in her second autobiography, More Havoc, in 1980.

Ms. Havoc died peacefully on March 29, 2009 at her home in Stamford, Connecticut of natural causes. She was 97. RIP June



29 March 2010

ORIGINAL MC5 BUTTON REVEALED!


Leni Sinclair Photo

Record covers feature special appearances by buttons. A personal favorite is the insert for Kick Out Jams by the MC5. How did they button their bare chests? And more importantly, where can an authentic White Panther button from Detroit circa 1969 be obtained?



Original MC5 "White Panthers" button on a jean jacket, where it belongs.

Detroit's favorite band the MC5 innovated buttons in the 1960s and used them on their record covers. A native Michigander contacted Busy Beaver Button Co. about his original MC5 button, and here’s his story:

The button was given to me by a girl I knew in the spring of 1969, when I was attending Pontiac Central High School (Michigan) and was deeply involved in the antiwar movement. I was the envy of all my fellow protesters as these pins weren’t that easy to come by even then.

GARY GRIMSHAW BENEFIT APRIL 1



This is the inaugural show for the Grand Trunk Pub and Forans delux Diner. The show has been put together by Don Bailey,the former owner of Butcher's Inn that featured Detroit artists and their work for several years. Jeff Grand will be performing during the show. No Cover, cash bar and the kitchen is open. Please come out, enjoy, and support Gary Grimshaw. More info HERE

Music/Arts - Exhibit
Date: Thursday, April 1, 2010
Time: 6:00pm - 9:00pm
Location: Grand Trunk Pub Directions
Street: 610 Woodward (at congress)
City/Town: Detroit, MI

For ordering classic reprint posters from Gary Grimshaw,

GARY AND BIG RICH DORRIS!

28 March 2010

MARC BOLAN JEEPSTER!


Marc Bolan

I woke up today and a you tuber friend me with this ultra mod video of one of my favorites of all time Marc Bolan and I think you may love it too! Happy Sunday! Buy the music below if you like! RK




FILMAKER IVAN KRAL PREMIERE AT MICHIGAN THEATER



Iggy & The Stooges Raw Power LIVE, a short film, premiered at the 48th Ann Arbor Film Festival in the historic Michigan Theater last night. It was a perfect launch for the hometown musical heroes and 2010 Rock and Roll Hall of Fame Inductees.


Ann Arbor 107one’s Martin Bandyke and Filmmaker Ivan Kral Introduce “Iggy; The Stooges Raw Power Live” short film at the 48th annual Ann Arbor Film Festival on March 24, 2010.

Sneak Peek HERE

Kral says “I’ve never seen a show like The Stooges– not before, or since”. Quite a statement,considering his rock and roll heritage.Though Kral composes music for film and artists like U2, David Bowie and Patti Smith, he’s now loving his film diversion. “It’s taken me a few decades to finally start archiving. Some of this stuff is really hilarious”.

Sneak peek Video .YouTube.com/IvanKralVault
Ivan Kral info:http:// www.IvanKral.netand www.Ivan-Kral.cz.
Ann Arbor Film Festival:http:// www.IvanKral.netand www.Ivan-Kral.cz.

Rock Hall of Fame Induction Ceremony Clip

26 March 2010

MIKE DAVIS HISTORY OF THE MC5



Mike talks about the early history of the MC5 listen to it HERE

25 March 2010

DEAD CITY PROPHETS: ROCK N ROLL VOODOO!




UPCOMING EVENT!





JOHNNY CASH!





Fire Destroy Johnny and June Cash Home


I got a chance to visit the Cash family home in the 80's and it is so tragic that it is all gone now. Yes he did have ostriches as "pets" watch birds in the yard. He had a separate cabin on the property where he would write music and just to be alone.

The main house was huge compared to Graceland which is relly quite small. I loved meeting them and down to earth people is what they were. They were more interested in what I did for a living than telling stories of their famous lives. They were wonderful.. RIP June and JR

22 March 2010

Harvey Ovshinsky: Writing for the Movies!



Tomorrow Night! Chelsea Library

From Harvey's Website

About Harvey:

The Detroit News has described producer and story consultant Harvey Ovshinsky as "one of this country's finest storytellers." Harvey's work, which spans the universe of print, broadcast television and radio, digital storytelling, as well as primary, secondary, and university education, began in the turbulent '60s and continues full force today.

FILM & VIDEO PRODUCTION: Harvey Ovshinsky and HKO Media have been awarded broadcasting's highest honors including four CINE Golden Eagle Awards, a national Emmy, a Peabody, a duPont - Columbia University Award, an Iris Award from the National Association of Television Programming Executives, and the American Film Institute's Robert M. Bennett Award for Excellence.

In 2004, the Detroit Docs International Film Festival celebrated the life and work of Harvey Ovshinsky, with its first ever Career Achievement Award. "From his early days of radio to later years of television and now documentary film and video," Kerry Burke of Metro Times wrote, "Ovshinsky's career is a colorful and fantastic voyage, at times brave and visionary."

SCREENWRITER: Harvey wrote the Movie-of-the-Week script PJ AND THE DRAGON, represented by Creative Artists Agency (CAA) and optioned to Longbow Productions. He wrote the award-winning, feature-length script THE KEYMAN, as well as the treatment for the children's drama NOAH AND HIS TOTALLY AWESOME ARK. Harvey also wrote the treatment for ALL-AMERICAN GIRL, a Movie-of-the-Week for NHK (Japan Broadcast Corporation) and was creative consultant for Longbow Productions' Movie-of-the-Week script SWEET & DARROW. He was a contributor to a chapter on screenwriting in the Film and Video Career Directory published by Gale Research, Inc.

AIR ACE: Harvey is equally at home in radio. He was the first news director at Detroit's underground radio station, WABX-FM. Later, Harvey moved to WRIF-FM where he became the host of popular weekend talk shows, SPARE CHANGE and NIGHT CALL. Harvey also delivered commentaries on WCSX-FM and hosted HARVEY O ON THE METRO on Detroit's public radio station, WDET-FM. Harvey's comments on media and the movies can occasionally be heard on WWJ. He has consulted with WDET on the station's brand identity, marketing, content development, pledge campaigns, underwriting, and other critical issues facing public service media.

THE FIFTH ESTATE: Harvey started his career as a print journalist. He was only 17 and just out of Mumford High School when he created The Fifth Estate, one of the country's oldest underground newspapers. Harvey also has written for The Detroit Free Press and The Detroit News.

Read More on Harvey's Workshops HERE

Emmy award-winning producer Harvey Ovshinsky talks about THE 60% INCENTIVE: the other reason why filmmakers are making movies in Michigan.

Part One



To see the rest of this series on Harvey's You tube page HERE

EARLY YEARS OF FLEETWOOD MAC (RK FAVORITES)





Fleetwood Mac are a British-American rock band formed in 1967 in London.

The only member present in the band from the very beginning is its namesake drummer, Mick Fleetwood. Despite band founder Peter Green naming the group by combining his two former bandmates' surnames (Fleetwood, McVie) (from John Mayall's Bluesbreakers—it was actually the title Green had given to a demo recording they had recorded while in Mayall's band), bassist John McVie did not play on their first single nor at their first concerts.


Second Line up

Keyboardist Christine McVie has, to date, appeared on all but two albums, either as a member or as a session musician. Christine also supplied the artwork for the album Kiln House.



The two most successful periods for the band were during the late 1960s British blues boom, when they were led by guitarist Peter Green, (my favorite time) and from 1975 to 1987, with more pop-orientation, featuring Christine McVie, Lindsey Buckingham and Stevie Nicks.





Nothing against the more successful lineup featuring Nicks and Buckingham but the original Fleetwood Mac was an entirely different band. Peter Green, Mick Fleetwood, and John and Christine McVie's created a clasic sound that is unforgettable.

GREAT STORY Original Fleetwood Mac HERE




21 March 2010

SUSIE FORKIN'S HAPPY BIRTHDAY AT MARIOS TROY MI


Susie dancing with the silk rose we gave her

We made a huge trek from Ann Arbor to Ypsilanti to Tecumseh to Troy to attend Susie Forkin of the Motor City Rah Rahs birthday bash. It was well worth the trip!The trip back took hours and I pulled in around 5 am! OMG



She had cool pink cupcakes and a gorgeous cake too:



Susie is just the nicest most bubbly girl (of course all the rahs are pretty peppy!) She promised to bring me my own pom poms if I came out and she forgot them at her boyfriend's house....boo hoo look how cool they look:



Oh well I'll get them someday....


goofball musicians have fun!


Mike's cool jacket

We had a blast hanging around with the Helldrivers, Circus boy and the Rah Rahs.


Kimmer and Circus boy singer MikeJtone


Rah Rahs and Al King

In the jeep I had legendary guitarist of SRC and Al King drummer of Powertrane, Mazinga and currently going on tour with GORVETTE.



We were late and walked in just in time to catch Circus Boy's last song (bummer). They proceeded to have a mix of Detroit musicians on hand jam for the rest of the night. We had Joey Spina Gary Quackenbush, Tino Gross, Al King and a ton more on hand that didn't play.


JIm and Andrea Edwards

We had one of my favorite rockers show up Greasy Carlisi!


Greasy Al and Mike who creates the Motor City Music Archives

It was thrilling to meet Mike as his site was my first place to get information when I first started making Machinegunthompson.com Such a ncie guy and he was surprised to find that Kimmer from MGT page was sitting across the table from him... I asked my good luck charm Len Beste fabulous Photographer, "who is that guy". He told his is Mike that makes the MCMA site. I almost freaked out! He told me that page has been a labor of love of his for over 10 years.

onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_Tn3huAudp2U/S6a_S3-ycyI/AAAAAAAAGbE/h_mm25g7cAo/s1600-h/marios3202010+075.JPG">
Al and Jimmy McCarty

Met Mike McFeaters who used to bounce and run concessions at the Grande. He has a lot of funny stories to tell! He owns McFeaters Design/Group MDG@GMAIL.COM

All in all we had a terrific night with friends and met a bunch of new ones too! Gary Quack blew the roof off the place on the last song....

Happy birthday !



THANKS CIRCUS BOY FOR THE PLAYLIST!

19 March 2010

post no longer available

ALEX CHILTON OF THE BOX TOP DIES AT 59 RIP


Alex Chilton 1950-2010 Born in Memphis TN


This is awesome!

Got the sad news today that the gorgeous lead singer of The Box Tops died suddenly at 59. Alex and The Box Tops were some of my favorite 45 records. Cry Like a Baby being my favorite though The Letter was the top seller. Loved his face and that voice.... I think that song was on the radio on my first date with a cute bass player from like 1971.



Alex Chilton, the pop hit maker, cult icon and Memphis rock iconoclast best known as a member of 1960s pop-soul act the Box Tops and the 1970s power-pop act Big Star, died Wednesday at a hospital in New Orleans. The singer, songwriter and guitarist was 59.

The Memphis-born Chilton rose to prominence at age 16 when his gruff vocals powered the massive Box Tops hit "The Letter," as well as "Cry Like a Baby" and "Neon Rainbow."




Benn Zaricor

The Box Tops were a Memphis rock group of the second half of the 1960s. They are best known for the hits "The Letter," "Neon Rainbow," "Soul Deep," "I Met Her in Church," and "Cry Like A Baby," and are considered a major blue-eyed soul group of the period. They performed a mixture of current soul music songs by artists such as James and Bobby Purify and Clifford Curry, pop tunes such as "A Whiter Shade of Pale" by Keith Reid, Gary Brooker and Matthew Fisher of Procol Harum, and songs written by their producers, Dan Penn and Chips Moman.

Vocalist Alex Chilton went on to front the powerpop band Big Star and to launch a career as a solo artist, during which he occasionally performed songs he had sung with the Box Tops.

The Box Tops' music combined elements of soul music and light pop. Their records are prime examples of the styles made popular by Moman and Penn at American Sound Studio in Memphis. Many of their lesser known Top 40 hits are considered minor classics; these include "Neon Rainbow"; "Sweet Cream Ladies, Forward March"; and "I Met Her in Church."

As rock critic Lester Bangs wrote in a review of the group's Super Hits album, "A song like 'Soul Deep' is obvious enough, a patented commercial sound, yet within these strictures it communicates with a depth and sincerity of feeling that holds the attention and brings you back often."



The Box Tops on Facebook

Sign the Legacy Guestbook for Alex HERE

Of course THE LETTER

THE LAST DAYS OF JIMI HENDRIX



On August 26th, 1970, Jimi Hendrix celebrated the official opening of his Electric Lady Studios in Manhattan’s West Village. It would be the last time he ever set foot in his beloved recording sanctuary; he died three weeks later in London at age 27 after ingesting a powerful dose of the sedative Vesperax.

But a month prior to the party, the man Rolling Stone would later name the Greatest Guitarist of All Time laid down a few special tracks, including a jam with Steve Winwood on “Valleys of Neptune,” in Electric Lady’s Studio A. That song, in a different incarnation, is now the centerpiece of a new collection of previously unreleased Hendrix gems called Valleys of Neptune.

In the new issue of Rolling Stone on sale at newsstands today, David Fricke dives into Hendrix’s last days and lost recordings, tracing the epic plans and earthly troubles that marked the guitar god’s final months.

Full Story HERE

Buy Valley's of Neptune HERE

IVAN KRAL TO APPEAR AT THE ANN ARBOR FILM FESTIVAL!



ADDITIONAL SPECIAL GUESTS ANNOUNCED!

IVAN KRAL





More Info HERE

Rare Iggy Pop Footage

Iggy in leather thigh-high boots prances, crawls, humps the mic and Ivan Kral captures it all with his 8mm camera. It's 1973 and the scene is the Stooges show at New York’s Academy. This never-before-seen footage will screen as a special pre-program bonus at 6:45pm before the Diamond Pivot Bright on Wednesday, March 24. Ivan Kral, who co-wrote Patti Smith's album Horses, will be in attendance to present and discuss the rare footage with local radio station 107one's Martin Bandyke. This bonus screening adds another premiere to a program already featuring major premieres of four new works; three of the filmmakers will be in the house (Robert Todd, Alexis Bravos and Luciano Zubillaga).

18 March 2010

HELLDRIVERS NOT JUST A BAR BAND!


THE HELLDRIVERS!

This Friday Come on out!



The Helldrivers are a group of unbelievable musicians and when they play... the crowd is transfixed as they are watching history come to life! If you ever get a chance to see Jimmy McCarty and Johnny BEE play together consider yourself ultra lucky! Jeez these guys blew out Alvin's on Cass last Christmas and I have never had a better time watching live rock and roll.

I love the Howling Diablos and Tino too but when I stood just feet away from Bee and Jimmy and I could hardly hold the camera still. Go see these guys! Sorry Brett even though you say they are the "greatestes" bar band,The Helldrivers are no bar band. These are the MASTERS of Rock n Roll and not just in Detroit.

I am an Army kid from the Detroit area and heard these guys all over the US and I still get chills hearing them play. The very first 45 I bought in 1966 was The Detroit Wheels and well the rest is HISTORY. KIMMER

Listen to them playing live HERE feel free to grab their widget for your pages and blogs too!

In Today's Metro Times.... BRETT CALLWOOD STORY



Motor City's greatest 'bar band' ever?
The Hell Drivers may be a Detroit revue show ... but it's one helluva Detroit revue show

BY BRETT CALLWOOD

On paper, it's a tired concept. Get four or five musicians or rock 'n' roll stars who've been gigging under various names with various bands for decades and throw them in a bar band together. Have them play songs from their combined pasts ... and claim that they're not, in fact, a bar band at all.

Such is the case with the Hell Drivers, the ranks of which include the underrated guitarist Jim McCarty (the Detroit Wheels, Cactus, the Rockets, Mystery Train), drummer Johnny "Bee" Badanjek (the Detroit Wheels, Detroit, Alice Cooper, the Rockets, the Howlin' Diablos), bassist Marvin Conrad (Mystery Train) and frontman Jim Edwards (See Dick Run).
McCarty and Badanjek are justifiably celebrated musicians in their own right with a rich and illustrious résumé.

It wouldn't be unkind, though, to call them journeymen — both have spent their careers moving from band to band without ever anchoring themselves to one group that went forth to conquer the world, though the Rockets came close. Whether it be the death of the Rockets' singer Dave Gilbert or the mainstream's stubborn refusal to acknowledge Mitch Ryder's Detroit or Cactus, disaster and disappointment have followed this pair around like a fart in spandex pants.

Then there's Jim Edwards, a lifelong Rockets fan who is delighted to be playing with two of his heroes. "It's absolutely a dream come true for me," says Edwards, with more than a hint of childlike glee. "I worked at a musical equipment store back when I was 19 years old. It was toward the end of the Rockets' career, and they would occasionally come into the store for gear. The Rockets, for me, were always just a greatband. When Bob Seger started doing things like Night Moves in the late '70s and softening his approach to songwriting, the Rockets were just the shit, Detroit-wise — a blue-collar, straight-up rock 'n' roll band. I loved them then, and so did all of the kids my age."

Edwards, although younger than his bandmates, has had his own close shaves with success.
"I played with a band called See Dick Run, and we hit it hard from 1988 until around 1996," he recalls, with no small amount of nostalgic joy. "We did all the DIY things that the alternative bands were doing in the '80s and '90s. We got our own tour bus. Started our own label. Put out our own records on vinyl — all of that kind of stuff. That's where I learned rock 'n' roll."

Alas, See Dick Run disappeared into the rock 'n' roll void after eight years of toil.
Back in 2002, Metro Times published a superb retrospective cover story on the Rockets, mostly the life of its singer Gilbert, written by Brian Smith. Badanjek was disappointingly unavailable to be interviewed for that piece — a feature that helped the renewed interest in the band that led to some of its back catalogue being reissued.

Through no fault of his own, Badanjek was also unavailable to speak with us for this feature, due to family illness. McCarty, however, could.

The notoriously sedate guitarist, it turned out, was in the mood to talk. And the man Ted Nugent once called "as important as Bo Diddley, Chuck Berry and Les Paul" is full of praise when talk turns to his new singer.

"We couldn't do this without Jimmy," McCarty says, beaming. "We now have the singer who enables Badanjek and myself to actually do Rockets songs. Down through the years, we've been approached time and again to do a Rockets reunion and I've always been the one to say, 'Thanks, but no thanks.' Gilbert died — what? 15 years ago?"

In fact, there have been rumblings about a Rockets' reunion tour this coming summer, with the Hell Drivers hitting the road and performing nothing but that much-lamented local band's catalog. Nothing has been officially confirmed as of yet, though.

"With Jim, when we do the Rockets songs, it's like he's channelling Gilbert," the guitarist continues. "He gets all the nuances. When we do the Mitch Ryder stuff, it's literally uncanny. Listen to the beginning of [Lou Reed's] 'Rock 'n' Roll' [which Mitch Ryder & Detroit famously covered, bringing a Motor City spin to it, in the early '70s]. I wouldn't be surprised if Jimmy gets a call from Mitch's attorney! That's how close he is. It's just amazing. And it's a conscious thing that he did to pay tribute. When we do the Iggy thing, he gets Iggy's personality. He's tremendous at doing that."

Of course, McCarty is biased. Edwards, while more than a competent blues-rock singer, is no Iggy Pop, Mitch Ryder or Dave Gilbert. But then, the Hell Drivers are a long way from being the Detroit Wheels, the Stooges or the Rockets. Despite their protests, they are a bar band, albeit a damned good one.

Their debut CD, Live From Detroit, includes tunes from all of the aforementioned bands, although their version of the Stooges' "I Wanna Be Your Dog" should really be forgotten. Much better, of course, are the songs that Badanjek and McCarty originally played on — including the Rockets' "Desire" or Mitch Ryder & the Detroit Wheels' "Jenny Take a Ride."
Right now, though, the Hell Drivers are a very good covers band, even if they are playing actual songs from the members' pasts. According to Edwards though, there are some original songs on the horizon.

"We're starting to add more original material to the set," he says. "It's dynamite stuff too. John Badanjek is one of the most prolific writers I've ever been around. When he said he had hundreds of songs, I thought he was bullshitting. But I went over to his apartment and he has reams of scraps of paper with lyrics. He'll grab a piece of paper that he was working on in 1972."

Perhaps the jury should stay out on the Hell Drivers while they ready their own material. Until then, though, Detroit music fans can hear classic songs connected with this city played by a few musicians who created them. If nothing else, it makes for a good night of drunken sing-alongs.

The whole thing may reek to some of being put out to pasture, although McCarty strongly disagrees. "The band is hot," the guitarist says. "When you hear those songs, one after the other, if you're from this area, there's no way that it can't move you. It's a lot of fun. It's obvious the band is having a ball. The audience can see that and it translates."
Edwards believes that his older band mates are as fired up as he is. "That's what's incredible about it," he says. "I'm the only one with a day job but I have sufficient vacation time that I can take to go on tour. Everyone but me plays for a living."
Considering the tender vintage of some of Edwards' colleagues, though, a writer has to wonder about the level of success that the Hell Drivers can hit.
Edwards considers his words carefully. "With these things, you take it as far as you can."
How far they can go remains to be seen but the combination worked really well when the Hell Drivers supported a sold-out Alice Cooper show here last summer.

The most likely scenario, however, is that this band will remain in Detroit, play the bar scene and please fist-pumping punters keen to rock out to songs that they know well, from the albums and radio. Frankly, there's something to be said for a band playing "the hits" in a city hurting for this kind of rock 'n' roll band.

The Hell Drivers play Friday, March 19, at Callahan's Music Hall, 2105 South Blvd., Auburn Hills; 248-858-9508. The Live in Detroit CD (It is great) is out now and available at their shows. Brett Callwood writes about music for Metro Times.

From Johnny BEE:

Yes Kim, They are giving The Rockets a Detroit Music lifetime Achievement Award. We will play three Rocket song's. It's at The Fillmore on Friday Night April 16th. The Rockets sadly won't be getting together to play these song's becasue they have passed on, Dave Gillbert, Bob Harelson. Dennis Robbins lives in Nashville and Donny Backus is a Teacher at Mt. Pleasent Central Michigan University.

Everybody in town will be there because they are all up for awards too. The Howling Diablo's, Scott Morgan, Tino Gross, Jimmie Bones, and many others. BEE

Can't wait to see this show!