10.04.2018

HENRI MATISSE: EXPRESSING MOOD OVER REALISM


Henri Émile Benoît Matisse was a French artist, known for both his use of color and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.


Matisse is widely regarded as the greatest colorist of the 20th century and as a rival to Pablo Picasso in the importance of his innovations. He emerged as a Post-Impressionist, and first achieved prominence as the leader of the French movement Fauvism.


Although interested in Cubism, he rejected it, and instead sought to use color as the foundation for expressive, decorative, and often monumental paintings.

As he once controversially wrote, he sought to create an art that would be "a soothing, calming influence on the mind, rather like a good armchair."


Matisse used pure colors and the white of exposed canvas to create a light-filled atmosphere in his Fauve paintings. Rather than using modeling or shading to lend volume and structure to his pictures, Matisse used contrasting areas of pure, unmodulated color. These ideas continued to be important to him throughout his career.


Matisse once declared that he wanted his art to be one "of balance, of purity and serenity devoid of troubling or depressing subject matter," and this aspiration was an important influence on some, such as Clement Greenberg, who looked to art to provide shelter from the disorientation of the modern world. Read More Here


Henri-Emile-Benoit Matisse was born to middle-class parents Emile-Hippolyte-Henri Matisse, a grain and hardware merchant, and Anna Heloise Gerard. He grew up in Bohain-en-Vermandois and went to school at the College de Saint Quentin, before moving to Paris to study law.


In 1889, he returned to Saint-Quentin as a law clerk, though he found the job tedious and complained of anxiety. Later that year he contracted appendicitis and spent several months at home recovering. During that time, at the age of 20, he discovered the welcome isolation and freedom of painting.


Matisse began to show his work in large group exhibitions in Paris in the mid-1890s, including the traditional Salon de la Société Nationale des Beaux-Arts, and his work received some favorable attention. He traveled to London and to Corsica, and in 1898 he married Amélie Parayre, with whom he would have three children.


By the turn of the 20th century, Matisse had come under the more progressive influence of Georges Seurat and Paul Signac, who painted in a “Pointillist” style with small dots of color rather than full brushstrokes.


He stopped exhibiting at the official Salon and began submitting his art to the more progressive Salon des Indépendants in 1901. In 1904 he had his first one-man exhibition at the gallery of dealer Ambroise Vollard.


Matisse had a major creative breakthrough in the years 1904-05. A visit to Saint-Tropez in southern France inspired him to paint bright, light-dappled canvases such as Luxe, calme et volupté (1904-05), and a summer in the Mediterranean village of Collioure produced his major works Open Window and Woman with a Hat in 1905.


He exhibited both paintings in the 1905 Salon d’Automne exhibition in Paris. In a review of the show, a contemporary art critic mentioned the bold, distorted images painted by certain artists he nicknamed “fauves,” or “wild beasts.”


Painting in the style that came to be known as Fauvism, Matisse continued to emphasize the emotional power of sinuous lines, strong brushwork and acid-bright colors in works such as The Joy of Life, a large composition of female nudes in a landscape.


Like much of Matisse’s mature work, this scene captured a mood rather than merely trying to depict the world realistically.


After finding his own style, Matisse enjoyed a greater degree of success. He was able to travel to Italy, Germany, Spain and North Africa for inspiration. He bought a large studio in a suburb of Paris and signed a contract with the prestigious art dealers of Galerie Bernheim-Jeune in Paris.


His art was purchased by prominent collectors such as Gertrude Stein in Paris and the Russian businessman Sergei I. Shchukin, who commissioned Matisse’s important pair of paintings Dance I and Music in 1909-10.


In one of his final projects, Matisse created an entire program of decorations for the Chapel of the Rosary in Vence (1948-51), a town near Nice, designing stained-glass windows, murals, furnishings, and even sacred vestments for the church’s priests.


Matisse died on November 3, 1954, at the age of 84, in Nice. He was buried in nearby Cimiez. He is still regarded as one of the most innovative and influential artists of the 20th century. Read More Here

   

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